1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
|
diff --git a/doc/C/timidity.1 b/doc/C/timidity.1
--- a/doc/C/timidity.1
+++ b/doc/C/timidity.1
@@ -199,7 +199,7 @@
.RE
.TP
.B \-a, \-\-[no\-]anti\-alias
-Turns on antialiasing. Samples are run through a lowpass filter
+Turns on anti-aliasing. Samples are run through a lowpass filter
before playing, which reduces aliasing noise at low resampling
frequencies.
.TP
@@ -269,7 +269,7 @@
Sets the system manufacturer ID to \fIHH\fP (where \fIHH\fP are two
hex\-digits).
.br
-In this option, the manufacuture ID is set unchangable. Manufacuture
+In this option, the manufacturer ID is set unchangeable. Manufacturer
ID from the input file would be ignored.
.TP
.BI b n ", \-\-default\-bank=" n
@@ -440,14 +440,12 @@
system has support for the X Window System.
.TP
.BI "\-H " n ", \-\-force\-keysig=" n
-Specify the number of key signature. MIDI file is performed with
-transposition to the key of the number of sharp (when \fIn\fP is
-positive) or flat (when \fIn\fP is negative). Valid values of \fIn\fP
-are in the interval from \fB\-7\fP to \fB7\fP. For example, if \fIn\fP
-is \fB1\fP, MIDI file with any tonality will be performed transposing
-to \fB1\fP flat (i.e., F major or D minor). Therefore, it is
-convenient to use for the accompaniment when practicing a musical
-instrument by the tonality which is easy to perform.
+Specify the key signature. MIDI playback is transposed to the key
+with the same number of sharps (when \fIn\fP is
+positive) or flats (when \fIn\fP is negative). Valid values for \fIn\fP
+range from \fB\-7\fP to \fB7\fP. For example, if \fIn\fP
+is \fB1\fP, MIDI playback would transpose \fB1\fP flat
+(i.e., F major or D minor).
.TP
.B \-h, \-\-help
Show the help message.
@@ -516,10 +514,10 @@
Launch \fBTiMidity++\fP as ALSA sequencer client.
.TP
.B \-iW
-Windodws synthesizer interface
+Windows synthesizer interface
.TP
.B \-iw
-Windodws GUI interface
+Windows GUI interface
.TP
.B \-iP
PortMIDI synthesizer interface
@@ -740,7 +738,7 @@
.B \-Oj
JACK
.TP
-.B \-Or
+.B \-OR
aRts
.TP
.B \-OA
diff --git a/doc/C/timidity.cfg.5 b/doc/C/timidity.cfg.5
--- a/doc/C/timidity.cfg.5
+++ b/doc/C/timidity.cfg.5
@@ -4,7 +4,7 @@
.SH DESCRIPTION
The file \fBtimidity.cfg\fP describes the runtime environments of
timidity(1): that are the path of sound font, instruments
-configurations or else.
+configurations, etc.
.br
\fBTiMidity++\fP looks for the configuration file \fBtimidity.cfg\fP
at startup, before processing any options. If it can't be accessed,
@@ -30,7 +30,7 @@
${variable} # same as $variable
.sp
For the moment, the command which newly defines variables is not
-prepared. The undifined variable is transposed to null string.
+prepared. The undefined variable is transposed to null string.
.br
The variable defined as a regular variable is the next only one.
.TP
@@ -89,13 +89,13 @@
.BI "bank " "[MapID1] number"
Selects the tone bank to modify. Patch mappings that follow will
affect this tone bank. You can indicate specific map as a target, by
-specifing any ofthe following to \fIMapID1\fP: \fBgm2\fP, \fBsc55\fP,
+specifying any of the following to \fIMapID1\fP: \fBgm2\fP, \fBsc55\fP,
\fBsc88\fP, \fBsc88pro\fP, \fBsc8850\fP, \fBxg\fP and \fBxgsfx64\fP.
.TP
.BI "drumset " "[MapID2] number"
Selects the drum set to modify. Patch mappings that follow will
affect this drum set. You can indicate specific map as a target, by
-specifing any ofthe following to \fIMapID2\fP: \fBgm2drum\fP,
+specifying any of the following to \fIMapID2\fP: \fBgm2drum\fP,
\fBsc55drum\fP, \fBsc88drum\fP, \fBsc88prodrum\fP, \fBsc8850drum\fP,
\fBxgdrum\fP and \fBxgsfx126\fP.
.TP
@@ -363,7 +363,7 @@
.TP
.BI "#extension timeout " "program second"
Specifies the time\-out value of the \fIprogram\fP. If any notes
-played with the tone number \fIprogram\fP are suspended more than
+played with the tone number \fIprogram\fP are suspended for more than
\fIsecond\fP seconds, \fBTiMidity++\fP kills the notes.
.TP
.BI "#extension copydrumset " drumset
diff --git a/doc/ja_JP.eucJP/timidity.1 b/doc/ja_JP.eucJP/timidity.1
--- a/doc/ja_JP.eucJP/timidity.1
+++ b/doc/ja_JP.eucJP/timidity.1
@@ -745,7 +745,7 @@
.B \-Oj
JACK
.TP
-.B \-Or
+.B \-OR
aRts
.TP
.B \-OA
|